The photographer used the framing method of “Center” (中分法) to emphasis the emergence of the model, mainly for composing the visual balance of the photo. And from the concept of visual aesthetical, to stimulate the viewers, catching by the visual impact of the picture. For instance, the arrangement of colors tone was obviously designed in this photo. By the usage of the colors, it is easily to found the contrast (對比) colors visual effect; the appearance of “greenish” grass and “darkness” water seemed to reflect the photographer was depicted the differences of “life” and “dead” (生命和死亡); it seemed to be one of the invisible symbolic meanings of this photo. And the model also is the “Visual Focus” (視覺凝聚) of this picture. Furthermore, some religious visual metaphors (視覺隱喻) were hidden; the appeal of goddess obviously presented by the dressing style of the model, so that by the showcase of the “spiritual” icon (Fashion model), tended to emphasis the uniqueness of her wardrobe. In conclude, the metaphoric visual language was used for this photo, it contains the abstract implication of “existence”. Undoubtedly, from the view of natural, this photo is only an “artificial settings”; the objective is from the cool mix of fashion styling and nature background elements, to conform the desire of mystery scenario.
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